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King Kendrick and the Night ‘Sankofa’ Happened at the Grammy Awards
In 1993, Haile Gerima directed the groundbreaking movie Sankofa, a film about the Trans-Atlantic Slave Trade and how its lessons helped to evolve a Black model, Mona, from her superficial understanding of life and back to her African roots. Named for a term in the Ghanaian Akan language, Sankofa means to go back and look toward the past, for wisdom and hope, in order to be able to make progress in the future. It means to be grounded in one’s African roots and African past—it reminds us to return to the source.
On the 58th Annual Grammy stage that aired Monday February 15th, 2016 Hip-Hop artist Kendrick Lamar embodied the very meaning of Sankofa in his stage performance and medley of songs from his five-time Grammy awarded album and seminal work, To Pimp a Butterfly.
He was amazing!
Dressed in all blue and in chain-gang formation, Lamar was chained and shackled with an all-Black male ensemble and surrounded by jail cages from which a saxophone wailed. With the chains on his hands and wrapped around the microphone, Kendrick Lamar declared:
“I’m African-American. I’m African. I’m black as the moon. “
Not long after this declaration, the Sankofa transformation began under a strobe of black lights illuminating the white patterns all over Lamar’s clothing and the neon colorful spirits standing and dancing along with him.
He proceeded to give us what we needed and we were reminded that every race starts from the Blacks. African drumming further encouraged the Sankofa process to take place as beautifully adorned and spirited women dancers circled Kendrick Lamar amidst the bonfire backdrop, symbolically giving birth to a Kendrick Lamar Renaissance. This was just as much our rites of passage as it was his. He became King Kendrick. The ancestors orchestrated his coronation and we watched it happen thinking were watching a Grammy performance.
Brilliant.
In a climatic testimony with only a spotlight and a microphone, Kendrick Lamar reminded us that freedom isn’t free and that it requires a kind of transformation in the mind that means seeing Compton in Africa and acknowledging the African in each of us.